Son & Charanga
Cuban foundations: Tres, Clave, Son montuno, Guaracha, and the lighter Charanga sound.
GALLERY VI
Forty recordings, eight listening paths: from Cuban roots to Timba, and from New York to San Juan, Caracas, and Cali.
Salsa is not a single, neatly bounded musical style. This selection follows historical lineages, scenes, and centers of production. Overlaps are therefore intentional: a Puerto Rican musician may also belong to New York's Salsa dura, while Songo is a precursor to Timba rather than simply another name for it.
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Cuban foundations: Tres, Clave, Son montuno, Guaracha, and the lighter Charanga sound.
Brass sections, jazz harmony and Afro-Cuban rhythms between Havana, Mexico City and New York.
Trombones, extended montunos, soneros, and barrio experience: the forceful sound world of 1970s Fania.
Sonero tradition, Bomba and Plena, the combo sound, and some of salsa's most distinctive choruses.
Caracas, trombone sound, robust tumbao and extroverted soneros: an independent salsa brava scene.
Medellín, Barranquilla, and Cali: distinctive orchestras, city anthems, and Afro-Colombian perspectives.
Love lyrics, ballad melodies and polished arrangements: the second big wave since the 1980s.
Cuba after 1959: Funk, new bass concepts, breaks and complex arrangements from songo to timba.